Sanja Iveković

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Sanja Iveković

Born 1949, Zagreb, Yugoslavia
Lives and works in Zagreb, Croatia

Sanja Iveković is associated with the “Nova Umjetnička Praksa” (New Art Practice), a generation of Croatian artists who emerged in the 1960s and sought to renew artistic practice and assert its place in society. Using collaborative strategies, she has produced performances, collages, sculptures, and installations that privilege themes of gender, identity, and memory. In a patriarchal culture, her politically inspired work challenges the stereotypical construction of female identity and its substantial political role in history. The figure of Rosa Luxemburg, assassinated for her radical political position in 1919, is a major inspiration for the artist. In 2001, at the Casino Luxembourg, Iveković appropriated the Gëlle Fra (The Golden Woman), a monument dedicated to Luxembourgish volunteers who fought in the 20th Century wars. The statue became a pregnant Lady Rosa of Luxembourg, her pedestal inscribed with the words “Resistance,” “Kultur,” “Kapital,” “Virgin,” “Madonna,” and “Bitch.”
In response to an invitation to produce a work for the city of Aalborg in Denmark, Sanja Iveković proposed rebuilding a monument designed by Ludwig Mies van der Rohe in memory of Rosa Luxemburg and Karl Liebknecht. Inaugurated in Berlin in 1926, the monument was destroyed by the Nazis in 1935. For the new version of the anti-Fascist memorial, the artist plans to gather the bricks needed to rebuild it with the help of international donations. During the exhibition Soleil politique, Iveković will launch the project with a public appeal.

 

Nata a Zagabria, Yugoslavia, nel 1949
Vive e lavora a Zagabria, Croazia

Sanja Iveković fa parte della “Nova Umjetnička Praksa” (Nuova Pratica Artistica), generazione di artisti croati che vuole rinnovare la pratica dell’arte e rivendicare la propria iscrizione nella società. Attraverso delle strategie collaborative, l’artista realizza performance, collage, sculture o installazioni legate ai temi che predilige: le questioni di genere, l’identità e la memoria. In una cultura patriarcale, il lavoro impegnato di Iveković mette a confronto la costruzione identitaria e stereotipata della donna a quello che è il suo autentico ruolo politico nella storia. La figura di Rosa Luxemburg, assassinata a causa delle sue idee politiche, è un punto di riferimento per l’artista. Nel 2001, al Casino Luxembourg, Lussemburgo, Iveković trasforma la scultura della Gëlle Fra (Donna dorata), monumento in onore dei soldati lussemburghesi. La statua diventa Lady Rosa of Luxembourg, e questa volta è incinta: sulla base del nuovo monumento l’artista iscrive le parole “Résistance”, “Kultur”, “Kapital”, “Virgin” e “Madonna”.
Invitata a eseguire un’opera per la città di Aalborg, in Danimarca, Sanja Iveković propone di ricostruire un monumento ideato da Mies van der Rohe in omaggio a Rosa Luxemburg e Karl Liebknecht (Berlino, 1926), distrutto dai nazisti nel 1935. Per la nuova versione del memoriale antifascista, l’artista desidera riunire i mattoni necessari alla riedificazione attraverso una colletta internazionale. In Soleil Politique, Sanja Iveković inaugura questo progetto con il lancio di un annuncio pubblico.

Née à Zagreb, Yugoslavie, en 194

9
Vit et travaille à Zagreb, Croatie

Sanja Iveković est associée à la « Nova Umjetnička Praksa » (Nouvelle Pratique Artistique), génération d’artistes croates qui vise à renouveler la pratique de l’art et revendique son inscription dans la société. À travers des stratégies collaboratives, elle réalise des performances, collages, sculptures ou installations liées à ses thématiques de prédilection : le genre, l’identité et la mémoire. Dans une culture patriarcale, son travail de nature engagée confronte la construction identitaire et stéréotypée de la femme et son véritable rôle politique dans l’histoire.
Rosa Luxemburg, assassinée à cause de ses positions politiques, est une référence majeure pour l’artiste. En 2001, au Casino Luxembourg, Iveković réinvestit la Gëlle Fra (femme dorée), monument dédié aux soldats luxembourgeois. La statue devient Lady Rosa of Luxembourg, cette fois en gestation. Sur son socle sont inscris les mots « Résistance », « Kultur », « Kapital », « Virgin » et « Madonna ».
Suite à l’invitation à produire une œuvre pour la ville d’Aalborg au Danemark, Sanja Iveković propose de rebâtir un monument conçu par Mies van der Rohe en hommage à Rosa Luxemburg et Karl Liebknecht (Berlin, 1926) et détruit par les nazis en 1935. Pour la nouvelle itération du mémorial antifasciste, l’artiste souhaite rassembler les briques nécessaires à sa réédification par une collecte internationale. Dans le cadre de Soleil Politique, Sanja Iveković inaugure ce processus par le lancement d’un appel public.

Project: Soleil politique

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